Adharajan (Ragini 1–8)
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📄 Article Details
Author: Anand Kumar Ashodhiya
Journal: International Journal of Creative Research Thoughts (IJCRT)
Volume: 14 | Issue: 4 | Year: 2026
Pages: 683–691
🔑 Keywords
Haryanvi Folk Poetry, Ragni Tradition, Pingal Prosody, Oral Performance Culture, Indigenous Aesthetics, Narrative Poetics, Socio-Cultural Discourse, Gendered Voice and Agency, Courtly Love Tradition, Ethnomusicology of North India
📖 Abstract
This research paper presents a comprehensive and critically grounded analysis of the Haryanvi Saang-style raginis (Ragini 1–8) from the narrative series Adharajan, examined through literary, prosodic, and socio-cultural perspectives.
Scholarly Context
This article forms part of a broader research series on Haryanvi Ragni literature examined through the framework of Pingal Shastra and folk-cultural analysis. Complementary studies by the author investigate parallel narrative traditions such as Heer–Ranjha and Bhagat Puranmal across different ragni sequences, offering comparative insights into prosody, narrative progression, and gendered voice within North Indian folk traditions.
📚 Citation (APA Style)
Ashodhiya, A. K. (2026).
Adharajan ki Haryanvi Saang-Shaili Raginian: Pingal Shastra evam Lok-Sanskritik Pariprekshya mein ek Vishleshanatmak Adhyayan (Ragini 1–8 ke Sandarbh mein).
International Journal of Creative Research Thoughts (IJCRT), 14(4), 683–691.
🔗 Related Research in this Series
- Adharajan (Ragini 9–16) – Prosodic expansion and socio-political intensification
- Heer–Ranjha (Ragnis 1–7) – Narrative initiation and emotional structuring in ragni tradition
- Bhagat Puranmal (Ragni 1–8) – Bhakti, ethical resistance, and cultural symbolism