Anand Kumar Ashodhiya — Author · Poet · Researcher
Adharajan ki Haryanvi Saang-Shaili Raginian: Pingal Shastra evam Lok-Sanskritik Pariprekshya mein ek Vishleshanatmak Adhyayan (Ragini 1–8 ke Sandarbh mein)
Author: Anand Kumar Ashodhiya (कवि आनन्द शाहपुर)
Summary: This study examines the opening raginis (1–8) of the Adharajan narrative through Pingal prosody and Haryanvi folk-poetic traditions. It explores metrical structure, narrative aesthetics, and socio-cultural symbolism within Saang performance frameworks.
The study is based on the book Adhirājan (Edition II) — Haryanvi Folk Epic.
Article Details
| Field | Details |
|---|---|
| Author | Anand Kumar Ashodhiya |
| Journal | International Journal of Creative Research Thoughts (IJCRT) |
| Volume / Issue / Year | Volume 14, Issue 4 (2026) |
| Pages | 683–691 |
| ISSN | 2320-2882 |
| DOI (Zenodo archive) | https://doi.org/10.5281/zenodo.20079163 |
| Language of Full Paper | Hindi (हिन्दी) |
| Full Text Format | PDF (Open Access) |
Keywords
Haryanvi Folk Poetry, Ragni Tradition, Pingal Prosody, Oral Performance Culture, Indigenous Aesthetics, Narrative Poetics, Socio-Cultural Discourse, Gendered Voice and Agency, Courtly Love Tradition, Ethnomusicology of North India
Abstract
This research paper presents an in-depth analysis of the Haryanvi Saang-style raginis (Ragini 1–8) from the narrative series Adharajan, examined through literary, prosodic, and socio-cultural perspectives. Rooted in the rich oral performance aesthetics of Haryana and the historical milieu of 19th-century Jaipur, the study scans the metric patterns under classical Pingal Shastra, illuminating how vernacular poets synthesized rigid prosodic disciplines with spontaneous oral transmission.
Scholarly Context
This article is part of a broader research series on Haryanvi Ragni literature, examined through the framework of Pingal Shastra and folk-cultural analysis. Complementary studies by the author on Heer–Ranjha and Bhagat Puranmal offer comparative insights into prosody, narrative progression, and gendered voice in North Indian folk traditions.
Suggested Citation
Ashodhiya, A. K. (2026). Adharajan ki Haryanvi Saang-Shaili Raginian: Pingal Shastra evam Lok-Sanskritik Pariprekshya mein ek Vishleshanatmak Adhyayan (Ragini 1–8 ke Sandarbh mein). International Journal of Creative Research Thoughts (IJCRT), 14(4), 683–691. https://doi.org/10.5281/zenodo.20079163
@article{ashodhiya2026_adharajan_1_8,
title = { Adharajan ki Haryanvi Saang-Shaili Raginian: Pingal Shastra evam Lok-Sanskritik Pariprekshya mein ek Vishleshanatmak Adhyayan (Ragini 1–8 ke Sandarbh mein) },
author = {Ashodhiya, Anand Kumar},
journal = { International Journal of Creative Research Thoughts },
volume = { 14 },
number = { 4 },
pages = { 683--691 },
year = { 2026 },
issn = { 2320-2882 },
doi = { 10.5281/zenodo.20079163 },
url = { https://doi.org/10.5281/zenodo.20079163 }
}
Full Paper
👉 Download Full Paper (PDF) (Click to view or save the complete research paper)
Related Research in this Series
- Adharajan (Ragini 9–16) — Prosodic expansion and socio-political intensification
- Heer–Ranjha (Ragnis 1–7) — Narrative initiation and emotional structuring in ragni tradition
- Bhagat Puranmal (Ragni 1–8) — Bhakti, ethical resistance and cultural symbolism
Related Books
- Adhirājan (Edition II)
- Adhirājan (Edition I)
- Heer Ranjha — Haryanvi Ragni Collection
- Kissa Bhagat Puranmal
Cited Research & Impact
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Technical Research Documentation
For prosodic methodologies and extended bibliographic records, see the official project Wiki:
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- Pingala Shastra Methodology — Technical framework for Haryanvi Ragni analysis
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- Glossary of Haryanvi Prosodic Terms — Pingal Shastra glossary
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© 2026 Anand Kumar Ashodhiya | Independent Researcher & Former Warrant Officer, Indian Air Force