Anand Kumar Ashodhiya

Official website of Anand Kumar Ashodhiya, author, researcher and independent scholar of Haryanvi Ragni, Pingal Shastra, Indian folk poetics, oral traditions and North Indian performance literature.

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Anand Kumar Ashodhiya Anand Kumar Ashodhiya — Author · Poet · Researcher

Citations and Academic Impact

This page lists the citation records, DOIs and scholarly profiles for the research of Anand Kumar Ashodhiya.

The research programme focuses on Haryanvi Ragni tradition, Pingal Shastra (Indian prosody), Saang-Shaili narrative systems and Indian folk literary studies.

Overview

  • Articles listed: 16
  • Articles with a registered DOI: 16 of 16 (5 journal DOIs, 11 Zenodo archive DOIs)
  • Languages: Hindi and English
  • Primary research area: Haryanvi Ragni literature and Pingal Shastra
  • Core domains: folk literature, oral traditions, Saang-Shaili, Pingal prosody, cultural studies
  • Access: full-text PDFs are openly available on each article page

Where a journal assigns its own DOI it is shown as “DOI (journal)”. Where the published open-access PDF has been deposited in Zenodo, the DOI identifies that archived copy and is shown as “DOI (Zenodo archive)”.

Adharajan Research Series

Adharajan ki Haryanvi Saang-Shaili Raginian: Pingal Shastra evam Lok-Sanskritik Pariprekshya mein ek Vishleshanatmak Adhyayan (Ragini 1–8 ke Sandarbh mein)

Journal: International Journal of Creative Research Thoughts, 14(4), pp. 683–691

DOI (Zenodo archive): https://doi.org/10.5281/zenodo.20079163

Suggested citation (APA): Ashodhiya, A. K. (2026). Adharajan ki Haryanvi Saang-Shaili Raginian: Pingal Shastra evam Lok-Sanskritik Pariprekshya mein ek Vishleshanatmak Adhyayan (Ragini 1–8 ke Sandarbh mein). International Journal of Creative Research Thoughts, 14(4), 683–691. https://doi.org/10.5281/zenodo.20079163

Research focus: Haryanvi Folk Poetry, Ragni Tradition, Pingal Prosody, Oral Performance Culture, Indigenous Aesthetics, Narrative Poetics, Socio-Cultural Discourse, Gendered Voice and Agency, Courtly Love Tradition, Ethnomusicology of North India

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Adharajan ki Haryanvi Saang-Shaili Raganian: Pingal Shastra evam Lok-Sanskritik Pariprekshya mein ek Vishleshanatmak Adhyayan (Ragni 9–16 ke Sandarbh mein)

Journal: International Journal of Emerging Technologies and Innovative Research, 13(4), pp. k341–k356

DOI (Zenodo archive): https://doi.org/10.5281/zenodo.20081437

Suggested citation (APA): Ashodhiya, A. K. (2026). Adharajan ki Haryanvi Saang-Shaili Raganian: Pingal Shastra evam Lok-Sanskritik Pariprekshya mein ek Vishleshanatmak Adhyayan (Ragni 9–16 ke Sandarbh mein). International Journal of Emerging Technologies and Innovative Research, 13(4), k341–k356. https://doi.org/10.5281/zenodo.20081437

Research focus: Haryanvi Saang, Ragni Tradition, Pingal Prosody, Folk Poetics, Oral Performance, Metrical Analysis, Gender and Power, Social Consciousness, Folk Narrative Systems

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Adharajan’s Haryanvi Saang-Style Raginis: An Analytical Study in the Context of Pingal Prosody and Folk-Cultural Perspectives (With Reference to Raginis 17–23)

Journal: RESEARCH REVIEW International Journal of Multidisciplinary, 11(5), pp. 16–23

DOI (journal): https://doi.org/10.31305/rrijm.2026.v11.n05.003

Suggested citation (APA): Ashodhiya, A. K. (2026). Adharajan’s Haryanvi Saang-Style Raginis: An Analytical Study in the Context of Pingal Prosody and Folk-Cultural Perspectives (With Reference to Raginis 17–23). RESEARCH REVIEW International Journal of Multidisciplinary, 11(5), 16–23. https://doi.org/10.31305/rrijm.2026.v11.n05.003

Research focus: Haryanvi Sāng Tradition, Rāgṇī Poetry, Pingal Prosody, Folk Performance Literature, Oral Traditions, Cultural Narratives, Gender Discourse, Performative Aesthetics, Saang-Shaili Interpretation

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Adharajan ki Haryanvi Saang-Shaili Raganian: Pingal Shastra evam Lok-Sanskritik Pariprekshya mein ek Vishleshanatmak Adhyayan (Ragni 24–30 ke Sandarbh mein)

Journal: ShodhPatra: International Journal of Science and Humanities, 3(5), pp. 129–137

DOI (journal): https://doi.org/10.70558/SPIJSH.2026.v3.i5.45731

Suggested citation (APA): Ashodhiya, A. K. (2026). Adharajan ki Haryanvi Saang-Shaili Raganian: Pingal Shastra evam Lok-Sanskritik Pariprekshya mein ek Vishleshanatmak Adhyayan (Ragni 24–30 ke Sandarbh mein). ShodhPatra: International Journal of Science and Humanities, 3(5), 129–137. https://doi.org/10.70558/SPIJSH.2026.v3.i5.45731

Research focus: हरियाणवी सांग-परंपरा, अधराजण (रसकपूर), रागनी काव्य, पिंगल-शास्त्र, लोक-सांस्कृतिक विमर्श, नारी अस्मिता, दरबारी राजनीति, विरह, मौखिक परंपरा, लोकस्मृति, Cultural Resolution, Folk Symbolism

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Heer–Ranjha Research Series

हीर-राँझा की हरियाणवी रागणी परंपरा: पिंगल शास्त्र के आलोक में एक सांस्कृतिक विश्लेषण (रागणी 1–7 के संदर्भ में)

Journal: The Academic – International Journal of Multidisciplinary Research, 4(3), pp. 2261–2265

DOI (Zenodo archive): https://doi.org/10.5281/zenodo.20365580

Suggested citation (APA): Ashodhiya, A. K. (2026). हीर-राँझा की हरियाणवी रागणी परंपरा: पिंगल शास्त्र के आलोक में एक सांस्कृतिक विश्लेषण (रागणी 1–7 के संदर्भ में). The Academic – International Journal of Multidisciplinary Research, 4(3), 2261–2265. https://doi.org/10.5281/zenodo.20365580

Research focus: हीर-राँझा, हरियाणवी रागणी, पिंगल शास्त्र, छंद-विधान, लोकसाहित्य, सांस्कृतिक विश्लेषण, विरह, Heer Ranjha Poetics, North Indian Folk Traditions

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हीर-राँझा की हरियाणवी रागणी परंपरा: पिंगल शास्त्र के आलोक में एक सांस्कृतिक विश्लेषण (रागणी 8–16 के संदर्भ में)

Journal: ShodhPatra: International Journal of Science and Humanities, 3(4), pp. 154–159

DOI (journal): https://doi.org/10.70558/SPIJSH.2026.v3.i4.45689

Suggested citation (APA): Ashodhiya, A. K. (2026). हीर-राँझा की हरियाणवी रागणी परंपरा: पिंगल शास्त्र के आलोक में एक सांस्कृतिक विश्लेषण (रागणी 8–16 के संदर्भ में). ShodhPatra: International Journal of Science and Humanities, 3(4), 154–159. https://doi.org/10.70558/SPIJSH.2026.v3.i4.45689

Research focus: हीर-राँझा, हरियाणवी रागणी, पिंगल शास्त्र, छंद-विधान, लोकसाहित्य, सांस्कृतिक विश्लेषण, विरह, सामाजिक नियंत्रण, वैराग्य, North Indian Folk Poetics

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हीर-राँझा की हरियाणवी रागणी परंपरा: पिंगल शास्त्र के आलोक में एक सांस्कृतिक विश्लेषण (रागणी 17–22 के संदर्भ में)

Journal: The Academic – International Journal of Multidisciplinary Research, 4(4), pp. 2047–2056

DOI (Zenodo archive): https://doi.org/10.5281/zenodo.20127288

Suggested citation (APA): Ashodhiya, A. K. (2026). हीर-राँझा की हरियाणवी रागणी परंपरा: पिंगल शास्त्र के आलोक में एक सांस्कृतिक विश्लेषण (रागणी 17–22 के संदर्भ में). The Academic – International Journal of Multidisciplinary Research, 4(4), 2047–2056. https://doi.org/10.5281/zenodo.20127288

Research focus: हीर-राँझा, हरियाणवी रागणी, पिंगल शास्त्र, छंद-विधान, लोकसाहित्य, सांस्कृतिक विश्लेषण, विरह, वैराग्य, सामाजिक संघर्ष, नारी-चेतना, लोक-आध्यात्मिकता

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हीर-राँझा की हरियाणवी रागणी परंपरा: पिंगल शास्त्र के आलोक में एक सांस्कृतिक विश्लेषण (रागणी 23–28 के संदर्भ में)

Journal: RESEARCH REVIEW International Journal of Multidisciplinary, 11(4), pp. 14–20

DOI (journal): https://doi.org/10.31305/rrijm.2026.v11.n04.002

Suggested citation (APA): Ashodhiya, A. K. (2026). हीर-राँझा की हरियाणवी रागणी परंपरा: पिंगल शास्त्र के आलोक में एक सांस्कृतिक विश्लेषण (रागणी 23–28 के संदर्भ में). RESEARCH REVIEW International Journal of Multidisciplinary, 11(4), 14–20. https://doi.org/10.31305/rrijm.2026.v11.n04.002

Research focus: हीर-राँझा, हरियाणवी रागणी, पिंगल शास्त्र, छंद-विधान, लोकसाहित्य, सांस्कृतिक विश्लेषण, त्रासदी, लोक-स्मृति, नारी-चेतना, Tragic Culmination, North Indian Oral Epistemology

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Bhagat Puranmal Critical Studies

भक्ति, नैतिक प्रतिरोध और पिंगल छंद: हरियाणवी रागनी परंपरा में ‘किस्सा भगत पूरणमल’ का समालोचनात्मक अध्ययन (रागनी 1–8 के संदर्भ में)

Journal: International Journal of Hindi Research, 12(2), pp. 92–94

DOI (Zenodo archive): https://doi.org/10.5281/zenodo.20082058

Suggested citation (APA): Ashodhiya, A. K. (2026). भक्ति, नैतिक प्रतिरोध और पिंगल छंद: हरियाणवी रागनी परंपरा में ‘किस्सा भगत पूरणमल’ का समालोचनात्मक अध्ययन (रागनी 1–8 के संदर्भ में). International Journal of Hindi Research, 12(2), 92–94. https://doi.org/10.5281/zenodo.20082058

Research focus: हरियाणवी रागनी, पिंगल शास्त्र, भक्ति साहित्य, लोकसाहित्य, नैतिक प्रतिरोध, छंद-विधान, Kissa Bhagat Puranmal, Moral Narrative Structures

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भक्ति, नैतिक प्रतिरोध और पिंगल छंद: हरियाणवी रागणी परंपरा में ‘किस्सा भगत पूरणमल’ का समालोचनात्मक अध्ययन (रागणी 9–18 के संदर्भ में)

Journal: International Journal of Research and Analytical Reviews, 13(2), pp. 173–181

DOI (Zenodo archive): https://doi.org/10.5281/zenodo.20082696

Suggested citation (APA): Ashodhiya, A. K. (2026). भक्ति, नैतिक प्रतिरोध और पिंगल छंद: हरियाणवी रागणी परंपरा में ‘किस्सा भगत पूरणमल’ का समालोचनात्मक अध्ययन (रागणी 9–18 के संदर्भ में). International Journal of Research and Analytical Reviews, 13(2), 173–181. https://doi.org/10.5281/zenodo.20082696

Research focus: भक्ति, भगत पूरणमल, हरियाणवी रागनी, पिंगल शास्त्र, लोकसाहित्य, छंद-विधान, Spirituality, Folk Ethics, Devotional Performance Traditions

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AVIKAVANI: Contemporary Haryanvi Ragni Studies (2026)

Pedagogical Memorials, Vedantic Consciousness and Ethical Selfhood in Contemporary Haryanvi Ragni Tradition

Journal: International Journal of Creative Research Thoughts, 14(5), pp. g582–g589

DOI (Zenodo archive): https://doi.org/10.5281/zenodo.20355419

Suggested citation (APA): Ashodhiya, A. K. (2026). Pedagogical Memorials, Vedantic Consciousness and Ethical Selfhood in Contemporary Haryanvi Ragni Tradition. International Journal of Creative Research Thoughts, 14(5), g582–g589. https://doi.org/10.5281/zenodo.20355419

Research focus: Haryanvi Ragni, Saang-Shaili, Pingal Shastra, Oral Tradition, Folk Performance, Cultural Memory, Folk Hermeneutics, North Indian Oral Literature, Vernacular Philosophy, Oral Poetics, Ethical Selfhood

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Cultural Anxiety and Ethical Selfhood in Contemporary Haryanvi Ragni Traditions

Journal: The Academic: International Journal of Multidisciplinary Research, 4(5), pp. 195–207

DOI (Zenodo archive): https://doi.org/10.5281/zenodo.20827357

Suggested citation (APA): Ashodhiya, A. K. (2026). Cultural Anxiety and Ethical Selfhood in Contemporary Haryanvi Ragni Traditions. The Academic: International Journal of Multidisciplinary Research, 4(5), 195–207. https://doi.org/10.5281/zenodo.20827357

Research focus: Haryanvi Ragni, Pingal Shastra, Oral Tradition, Folk Performance, Vernacular Ethics, Cultural Anxiety, Haryanvi Saang, Folk Prosody, Cultural Semiotics, Social Reconstruction, Oral Literature, North Indian Folk Traditions

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Cultural Transition, Ecological Anxiety, and Digital Alienation in Contemporary Haryanvi Ragni Tradition

Journal: International Journal of Research and Analytical Reviews, 13(2), pp. 499–506

DOI (Zenodo archive): https://doi.org/10.5281/zenodo.20355802

Suggested citation (APA): Ashodhiya, A. K. (2026). Cultural Transition, Ecological Anxiety, and Digital Alienation in Contemporary Haryanvi Ragni Tradition. International Journal of Research and Analytical Reviews, 13(2), 499–506. https://doi.org/10.5281/zenodo.20355802

Research focus: Haryanvi Ragni, Saang Tradition, Pingal Shastra, Folk Performance, Oral Tradition, Ecological Humanities, Digital Sociology, Cultural Memory, Folk Prosody, Cultural Transition, Regional Epistemology

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War, Viraha, Folk Feminine Consciousness and Pingal Poetics in Contemporary Haryanvi Ragni Tradition

Journal: International Journal of Emerging Technologies and Innovative Research, 13(5), pp. f669–f676

DOI (Zenodo archive): https://doi.org/10.5281/zenodo.20355987

Suggested citation (APA): Ashodhiya, A. K. (2026). War, Viraha, Folk Feminine Consciousness and Pingal Poetics in Contemporary Haryanvi Ragni Tradition. International Journal of Emerging Technologies and Innovative Research, 13(5), f669–f676. https://doi.org/10.5281/zenodo.20355987

Research focus: Haryanvi Ragni, Pingal Shastra, Saang Tradition, Oral Literature, Folk Performance, Viraha, Veer Rasa, Feminist Folklore, Military Folk Culture, Cultural Semiotics, North Indian Folk Poetics, Regional Knowledge Systems, Oral Epistemology

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Social Resistance, Ethical Consciousness and Pingal Prosody in Contemporary Haryanvi Ragni

Journal: International Journal of Innovative Research in Technology, 12(12), pp. 11784–11791

DOI (Zenodo archive): https://doi.org/10.5281/zenodo.20411315

Suggested citation (APA): Ashodhiya, A. K. (2026). Social Resistance, Ethical Consciousness and Pingal Prosody in Contemporary Haryanvi Ragni. International Journal of Innovative Research in Technology, 12(12), 11784–11791. https://doi.org/10.5281/zenodo.20411315

Research focus: Haryanvi Ragni, Pingal Shastra, Folk Performance, Oral Tradition, Social Resistance, Cultural Semiotics, Folk Prosody, Vernacular Ethics, Institutional Critique, Saang Tradition, North Indian Folk Poetics, Oral Epistemology, Folk Aesthetics

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Feminine Trauma, Cultural Resistance, and Pingal-Structured Social Consciousness in Contemporary Haryanvi Ragni Tradition

Journal: ShodhPatra: International Journal of Science and Humanities, 3(5), pp. 304–312

DOI (journal): https://doi.org/10.70558/SPIJSH.2026.v3.i5.45755

Suggested citation (APA): Ashodhiya, A. K. (2026). Feminine Trauma, Cultural Resistance, and Pingal-Structured Social Consciousness in Contemporary Haryanvi Ragni Tradition. ShodhPatra: International Journal of Science and Humanities, 3(5), 304–312. https://doi.org/10.70558/SPIJSH.2026.v3.i5.45755

Research focus: Haryanvi Ragni, Pingal Shastra, Saang Tradition, Feminist Folk Discourse, Oral Tradition, Cultural Semiotics, Gendered Trauma, Folk Performance, Vernacular Ethics, North Indian Folk Poetics, Social Resistance

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Academic indexing and scholarly profiles

Academic contribution

The research corpus contributes to the study of Haryanvi folk literature through a structured Pingal-based analytical method. It aims to preserve, document and critically interpret oral literary traditions.

  • Technical analysis of Chhand-Vidhan and Matra-Santulan
  • Documentation of Haryanvi Ragni prosodic systems
  • Critical interpretation of Saang-Shaili narrative traditions
  • Bridging oral traditions with literary criticism
  • Open-access folk literature research
  • A structured folk-literary research methodology

Primary source texts

These books are published under Avikavani Publishers, the author’s own self-publishing imprint (about the imprint).

Technical research documentation

For prosodic methodologies, bibliographic records and glossaries, see the project Wiki:

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🌐 Official Academic & Research Profiles

Citation counts, indexing records, and metadata visibility are periodically updated by their respective platforms. For formal scholarly reference, please use permanent identifiers and DOI-linked resources wherever available.

© 2026 Anand Kumar Ashodhiya | Independent Researcher & Former Warrant Officer, Indian Air Force